Archive for the ‘design’ Category

Sketchdump 02

Tuesday, March 30th, 2010

Didn’t think I’d manage to get another set of envelope sketches done. The last six weeks have been busier than I’d expected. Between trying to offer an itty-bitty bit of assistance to a noble publishing effort, starting a new gig in an office on the south side of the river, and all that business of trying to live like a modern human, I haven’t been so good about posting. So here, have some more envelope sketches.

Such as they are.

Supercillious Abe Lincoln

I think the third one is my favorite, but I do seem to draw that 3/4 view kind of a lot. I wonder if it’s because most of the photos I pick have that pose, or just that most photos taken have that pose.

Lost arts

Tuesday, February 9th, 2010

Last week someone found a drawing I’d made back in school, some 15+ years ago, and posted it on Facebook. If you’ll excuse a little retrospective modesty, it wasn’t a great drawing, more of a cartoon, really. Not much in the way of depth or shading, limited use of colors, and showing only a rudimentary grasp of anatomy. It was meant to be a small comment on the impending end of our time in high school, and a small nod to a couple of good friends. But in the few comments that followed, it seems that other people thought I used to draw and doodle and make little cartoons all the time.

So what happened? Why don’t I draw anymore? (more…)

A literal artifact

Tuesday, September 1st, 2009

I’m currently working on a book layout for OFF_press. Sometimes I prepare written materials for printing. It’s one of those things I do from time to time, like calisthenics, recycling, or eating a whole large pizza in one sitting. Anyway, the point is that I’m currently thinking about what makes a book readable. Not about the text inside, but about the letters on the page, the sheets of paper inside the cover, and how they should all be arranged and assembled for ease of reading. Don’t worry, I won’t bore you with my thoughts on the use of italics to indicate dialogue, or the increased use of the ellipsis.

But it occurred to me that books are tangible items with at least one intended use; books are tools. Which means that a reasonably perceptive person could deduce something about our culture, and perhaps about our species, from the way these tools are made, presented and used. A well-thumbed novel from the used bookstore says something entirely different than a hardback dictionary with a dent in the front from supporting a short-legged couch. A Greyhound bus ticket left in as a bookmark is not the same as an expired commuter rail pass.

Take a look at whatever book you’ve got handy. How has it been put together? How did it get to you, and what do you do with it? When future archaeologists dig us up, what is that book going to tell them about you?